Death in Venice • directed by Luchino Visconti

(English, no subtitles) 1971. Dirk Bogarde plays enigmatic composer Aschenbach visiting 1890 Venice–only to find threads of futility in his poignant unrequited search for ideal beauty. Painterly Manet-like portraiture of vacationers in this cinematic gem by Italian director Luchino Visconti, drenched in Mahler symphonic music.
Audiobook…

Death in Venice
In Our Time: Culture

Death in Venice is Thomas Mann’s most famous – and infamous – novella. Published in 1912, it’s about the fall of the repressed writer Gustav von Aschenbach, when his supposedly objective appreciation of a young boy’s beauty becomes sexual obsession. It explores the link between creativity and self-destruction, and by the end Aschenbach’s humiliation is complete, dying on a deckchair in the act of ogling. Aschenbach’s stalking of the boy and dreaming of pederasty can appal modern readers, even more than Mann expected. With Karolina Watroba, Post-Doctoral Research Fellow in Modern Languages at All Souls College, University of Oxford Erica Wickerson, a Former Research Fellow at St Johns College, University of Cambridge Sean Williams, Senior Lecturer in German and European Cultural History at the University of Sheffield Sean Williams’ series of Radio 3’s The Essay, Death in Trieste, can be found here: https://www.bbc.co.uk/programmes/m001lzd4

Listen on Apple Podcasts: https://podcasts.apple.com/ca/podcast/in-our-time-culture/id463700760?i=1000621001302