0:00 Puer natus in bethleem – Anon. (15thC) / Ars Choralis Coeln
03:07 Miri it is while sumer ilast – Anon. (13thC) / Ensemble Belladonna
06:11 Edi be thu, Heven-Queene – Anon. (13thC) / Oni Wytars & Ensemble Unicorn
10:20 Bryd one breere – Anon. (13thC) / Ensemble Belladonna
13:27 So ys emprentid – Guillaume le Rouge (15thC) / Ensemble Belladonna
16:44 Elend, du hast umfangen mich – Anon. (15thC) / Ars Choralis Coeln
20:15 Sancta mater graciae, Dou Way, Robyn – Anon. (13C) / Dufay Collective
22:38 Lullay, lullow I saw a sweetë, seemly sight – Anon. (15thC) / Lumina Vocal Ensemble
25:09 Alas Alas is My Chief Song – Walter Frye (15thC) / Ferrara Ensemble
28:23 Als I Lay on Yoolis Night – Anon. (14thC) / Martin Best Ensemble
31:33 Ja nuns hons pris – Richard the Lionheart (12thC) / Ensemble Alla Francesca
37:26 repeat ∫ this video is not monetised.
All rights to original owners thumbnail image: Paradiesgärtlein (Garden of Paradise) (c.1410) by “Upper Rhenish Master”, mixed on oak painting: The Virgin of the Rocks (c.1491/2-9 and 1506-8) by Leonardo da Vinci, oil on poplar, thinned and cradled the oldest of the music in this playlist (Ja nuns hons pris) was created 300 years prior to Leonardo’s painting, the words were written as a poem in 1192 by an imprisoned Richard the Lionheart.
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Ensemble: VocaMe, Album: Kassia
Byzantine Hymns from the First Female Composer of the Occident Video: Add MS 19352, XI secolo / musicamedievale • About 290 years before the brilliant Hildegard of Bingen was born, Kassia was born in Constantinople, the oldest female composer of whom we have complete musical works today. Of Greek-Byzantine origin, she distinguished herself at an early age for her intelligence and beauty. Many chroniclers, a few years later than her such as Simeon Metaphraste, George the monk (also called George the sinner) and Leo the Mathematician, maintain that she participated in the Parade of Brides in which the Byzantine emperor Theophilus was supposed to choose his bride, delivering to the chosen one, as usual, a golden apple. Fascinated by Kassia’s beauty, the young emperor approached her and said: “Through a woman the basest passions are distilled (referring to Eve’s original sin).” Kassia responded to him by saying, “But through a woman come the best things (referring to the birth of Jesus).” Out of pride, Theophilus chose another bride, Theodora. Kassia founded a monastery west of Constantinople of which she became the abbess. A letter from Theodore Studite indicates that she was in close relationship with the nearby monastery of Studion which played a central role in the revival of the Byzantine liturgy between the 9th and 10th centuries. This situation has contributed to the fact that Kassia’s works have survived intact to the present day. She wrote many hymns for the Christian liturgy, the most famous of which is Kassiani’s Hymn which is sung on Holy Tuesday. Tradition, which became legend, holds that Emperor Theophilus, in love with Kassia, asked to see her one more time before dying. He therefore went to her monastery. She was writing a hymn when she heard that the emperor wanted to see her. So she left her unfinished work on the table and hid behind a door. Theophilus entered the cell alone but did not find Kassia. He looked for her in the cell but she wasn’t there; hidden she looked at him. Teophilius was very sad, he cried and regretted having, in a fit of pride, rejected such a beautiful and intellectual woman. Then he noticed the unfinished hymn lying on the table and read it. When he had read it he sat down at the table and finished the hymn that Kassia had left incomplete. Legend says that as he was about to leave he glimpsed Kassia but did not speak to her. The VocaMe ensemble is one of the many projects of the German musician Michael Popp, certainly very talented and original in his research, but I have always approached his productions with extreme caution given that in many of his ensembles he does not disdain the use of electronics, even when talking about ancient music. In this album, although he is mentioned in the booklet as a director and player of “various musical instruments” (←just as I wrote!), I don’t seem to have noticed any electronic instruments. Regarding the video: I had been keeping the wonderful images of Theodore Psalter, Constantinople, 1066 – Add MS 19352 for years waiting to find a suitable musical work and I think that the album by the German female ensemble Vocame is definitely perfect both for its time than for the place of origin. The women musicians depicted in the manuscript, in addition to Kassia’s works, should make us reflect on how many things there are still to discover about the female repertoire of the past which has always been considered very small, but which certainly requires greater attention and research. I wish you happy listening! Mirkò Virginio Volpe MUSICA MEDIEVALE • Alto vocals – Natalia Lincoln Soprano Vocals – Gerlinde Sämann, Sabine Lutzenberger, Sarah M. Newman Santur – Johann Bengen Instruments, Direction – Michael Popp Mezzo-soprano vocals – Elisabeth Pawelke, Sigrid Hausen